IMAGES
 
 
A. Images
B. Image Use
C. Image Collection
D. Image Analysis
E. Layer Analysis
F. Jpegs
G. Replication
H. Info Screens
I. Image Dev
J. Image Build
K. The Image

 

CONTACT:

Don Bergland
bergland@uvic.ca

 

 

 

 

 

 


 

Information SCREENS

 

1. CREATING INFORMATION SCREENS
  As your ability to create images comfortably in Photoshop increases, there are a variety of formats that you will want to learn. One of the most commonly used formats involves an image which conveys information to the viewer.
The key aesthetic in this type of image is to:
- quickly attract the viewer
- hold the viewer for a second
- direct the viewer’s through the information

STANDARD AESTHETICS
You don’t have to be an artist in order to create effective information screens (IS). There are a few design principles that we will look at that basically govern how the layout of the IS should be constructed. Image creators have total control over how a viewer looks at the image. By following some of the design principles outlined below, you will be able to communicate your message more dynamically.

Focus and Direction
All well-constructed image have “focus” and “direction.” This means that the creator of the image controls the message of the image by compelling the viewer to focus on a main area of the image first, and then directing the viewer’s eye to the next piece of important information.

Focus
Most good images have a single area of focus to initially catch the viewer’s eye. This could be a shape, a photos, or text. It is usually emphasized through color or size to be dynamic, the first thing the viewer will look at. In our culture, because we read from top left to bottom right, we follow this structure in image reading. A strong focus in the upper right will immediately attract the viewer’s eye.
 
  This does not always have to be the case, however. The focus could be anywhere in the image, as long as it is strong and the first thing you want the viewer to see.

Direction
Immediately after the viewer’s eye fastens to the first component of your image (the focus), the eye will start to drift away from this naturally. You don’t want this to occur without your control. So, you set a secondary area for the eye to drift into. This is called “direction,” and image creators can set this area. It is immediately connected to the focus and will be secondary in its power and impact.
 
  As stated above, the focus and direction can be anywhere in the image as long as they are connected and have dominance over other visual spots.
 
  Shapes
Shapes in your IS image should be created to not only have a pleasing arrangement, but also to utilize this design principle. Use a dominant shape which may be large and brightly colored as the focus area. Use another secondary shape to pull the eye in the intended direction.

Text
Since the text is the material usually read in an IS image, this text should follow the principles suggested above. The main thing you want the viewer to read should fall in the focus area. The second thing you want the viewer to read should be in the secondary area, the direction.
These principles are most commonly demonstrated in website headers, banners, and logos. In many of these, a logo or strong image appears on the left side, and the content information comes immediately after it (to the right of it).
 
   
  DEMONSTRATION
  You will see a variety of links listed in this section. These links lead to online galleries which showcase visual images.
 
1. Suppose we wanted to construct a simple IS image that stated, “Now is the time to do it.”
 
  The image above follows the rules, i.e., “Now” is in a focus area, while “is the time to do it” follows good direction from the focus. But the focus area needs to be made stronger, to really pull the viewer’s eye immediately into the image.
 
  We can create some shapes which are put under the text to give some strong emphasis to the image. Do you see how this area and the text become an immediate focus? Let’s add some more shapes, not only to help the secondary area, but also to provide some visual interest.
 
  A simple message becomes a powerful information screen when shapes and design principles are used to help construct the message.
  ACTIVITY
  In this activity, you will explore the construction of information screens.
 
a. Suppose You want to create an information image that states the following:

“Images! The key to Understanding.”
b. Think about the message. Think about using shapes, colors, and text to create an image that communicates this thought well.
c. Launch Photoshop. Create a new document - 800 px X 600 px @72ppi.
d. Start by creating the text, “Images!” as a separate layer.
e. On a second layer, create the text, “The Key To Understanding.”
f. Try moving these text layers around until you get the start of a basic composition.
g. Start thinking about how to make the focus area (shapes under the text, scaling the text, different font, etc.).
h. Continue your work using shapes, colors, and text. All your layers are highly editable in the Photoshop environment, so don’t be afraid to experiment.
i. Save your information screen as, “info01.psd.”
   
Click on IMAGE categories at the top left side of the page to access further knowledge and skills.

 


© 2006 University of Victoria